3 | On bringing Tarot of the Holy Spectrum to life with Chase Voorhees
This episode of Tarot & More is for Tarot enthusiasts and artists alike! I talk to Chase Voorhees, a multidisciplinary artist and the creator of the Tarot of the Holy Spectrum. We discuss their path as an artist as well as their Fool's journey into the world of Tarot, inspired by their life and work with Lindsay Mack. We delve into the artistic challenges of specific cards, such as Justice, the Devil, or Five of Wands, and Chase shares their thinking behind renaming The Hanged Man as The Tethered One.
Host: Gosia Rokicka of Las Vistas Tarot & More
Guest: Chase Voorhees of Tarot of the Holy Spectrum
Find Chase's decks in the UK:
Tarot of the Holy Spectrum Classic edition
Tarot of the Holy Spectrum Infinity edition
For a 10% discount in the Las Vistas Tarot & More shop exclusive to podcast listeners, use code PODCAST10 at checkout.
Disclaimer:
Tarot readers, healers and practitioners of "woo" can offer valuable support, but they’re not substitutes for licensed mental‑health professionals. Listeners needing therapeutic help should seek accredited counsellors.
What's coming next?
Episode 4: Conversation with an event and community organiser from England. We'll talk about an event in which I'll have the pleasure of taking part on 30 November 2025 in Ely, Cambridgeshire. Stay tuned.
Transcript
Foreign.
Speaker:Hello, magical beings and creatures of the forest.
Speaker:Welcome to another episode of Tarot and More,
Speaker:where I'll be talking to Chase Voorhees,
Speaker:a multidisciplinary artist who is currently based in Pacific Northwest in the US and who,
Speaker:as you're about to hear,
Speaker:talks about art in a very visual way.
Speaker:We will be discussing Chase's deck,
Speaker:which is called the Tarot of the Holy Spectrum,
Speaker:and we will be talking about particular cards.
Speaker:So, obviously this is a podcast, but I think unless you obviously know the deck, unless you
Speaker:have this deck with you, otherwise,
Speaker:it's really helpful to be able to see what we are talking about.
Speaker:So in the show notes,
Speaker:there is a link to the blog post where you can also read our conversation.
Speaker:But of course, I do recommend listening, and you can just open the blog and have a look at
Speaker:the cards that are mentioned in this episode.
Speaker:So now I invite you to immerse yourself in the world of Tarot and art as seen by Jayce
Speaker:Voorhees.
Speaker:Hello, Chase. Hello. Nice to.
Speaker:Nice to meet you.
Speaker:Nice to see you.
Speaker:Yeah, nice to see you too.
Speaker:So tell our listeners about yourself, who you are, what kind of art you're doing, what
Speaker:inspires you the most.
Speaker:Um,
Speaker:as an artist, I think I'm kind of consistently exploring new ways to kind of visualize
Speaker:things.
Speaker:I started out doing big, like, installations for theater for, like, a live theater, and
Speaker:then produced video for, like,
Speaker:live acts, and was really in that world.
Speaker:Did some, like, films and music videos and stuff, too, but mainly live installation
Speaker:stuff.
Speaker:And then I started animating.
Speaker:Oh, gosh, what was it because of one of those installations required animation.
Speaker:That's why I started learning that.
Speaker:And then that was about 15 years ago.
Speaker:And then basically started a practice where I was animating kind of all the time.
Speaker:Several.
Speaker:I would just kind of put out on social media,
Speaker:several animations a week.
Speaker:This was like, around 2015, 2016, I want to
Speaker:say.
Speaker:And did a couple music videos around that, and that was great.
Speaker:And a really expansive time in my, like, artistic practice because I kind of really
Speaker:developed a style that I liked working within.
Speaker:Yeah, I would say there are some issues with that that I didn't super love.
Speaker:And there were some complications that arose from all of that era.
Speaker:But that then led me to think of a project that was.
Speaker:Eventually became Tarot of the Holy Spectrum, where I was like,
Speaker:I'm creating all this art on a regular basis.
Speaker:It's kind of just going into the ether with social media.
Speaker:How do I kind of focus on, like, a larger Project where, like, instead of just creating
Speaker:like 78 social media posts, I'm actually creating, like, a body of work that is then,
Speaker:like a physical thing, you know,
Speaker:and that's where that kind of originated.
Speaker:I had been at the time also doing all the production work for Lindsay Mack, who's my
Speaker:partner,
Speaker:who teaches Tarot.
Speaker:So it kind of just seems like everyone who listens.
Speaker:Sorry to interrupt.
Speaker:Like, everyone who listens, I'm sure, is
Speaker:listening to Lindsay's podcast.
Speaker:Sure.
Speaker:But if not.
Speaker:If not is Tarot for the Wild Soul.
Speaker:And it's amazing.
Speaker:Yeah, it's great.
Speaker:And I also still record that podcast and
Speaker:stuff, so I do all of their production work.
Speaker:And yeah, it seemed like a natural fit to work on a tarot deck.
Speaker:It's kind of like a big thing in our house, so, you know.
Speaker:Yeah.
Speaker:Yeah. So I had the idea for Holy Spectrum, and the way it's kind of formatted as, like, an
Speaker:artistic challenge for myself also arose from creating content for Lindsay.
Speaker:I often was making kind of, like,
Speaker:promotional images and stuff, and I would arrange decks and cards in, like, color order.
Speaker:And I really was interested in kind of like,
Speaker:finding interesting ways to present different cards.
Speaker:And I was like, gosh, that is something I really like to do.
Speaker:And so that eventually became kind of the foundation for Holy Spectrum, where I was
Speaker:like, can I kind of create these creative rules and stick to them throughout the design
Speaker:process?
Speaker:Because it just seemed like an interesting challenge at the time.
Speaker:I was like, can I, like,
Speaker:make all of the suits and the minors organize into a color spectrum as you go through them?
Speaker:Right.
Speaker:And that's kind of impacts the artwork, impacts the look.
Speaker:I'm like, you know, what colors am I allowing myself to use and which ones kind of portray
Speaker:the overall feeling of the card and how do I translate that?
Speaker:And that was really the big kind of, like,
Speaker:source of inspiration for the deck is kind of like working within those kind of color rules
Speaker:I set for myself.
Speaker:Yeah,
Speaker:it's like a journey from, like, big video production, theater production,
Speaker:big and high format and loud things,
Speaker:to social media, which is very ephemeral and kind of disappearing very quickly to something
Speaker:that is intimate and small, but also long lasting because now, like, thousands of people
Speaker:around the world use it.
Speaker:So it's very different.
Speaker:Yeah, I was like, yeah, it seemed like more of like.
Speaker:Yeah, there was something about, like, putting in so much effort for, like, social media,
Speaker:which I. I'm not.
Speaker:I'm not the best with social media.
Speaker:So, like,
Speaker:I'm just kind of.
Speaker:Yeah. To stay that Consistent and stuff.
Speaker:I was like, I really want this to be something
Speaker:that's kind of like,
Speaker:physical people can use,
Speaker:has, like, an impact more than just like, something that is, like, made for a big social
Speaker:media company, you know?
Speaker:Yeah, exactly.
Speaker:So it is, like, a big evolution in that way.
Speaker:And fairly natural, I think.
Speaker:Just, like,
Speaker:with the progression and aging, it seemed like a more focused way to present things.
Speaker:And also, I had full control over it, which is great, you know?
Speaker:Yeah, yeah, yeah.
Speaker:But you said about form, about the color.
Speaker:I guess the style is also kind of your style of art.
Speaker:But what about the content in terms of, you know, it's 78 cards with very specific stories
Speaker:in them and what's behind them.
Speaker:So was it difficult to work with? Was there any cards that they were
Speaker:challenging?
Speaker:Challenging,
Speaker:yes, there were cards that were challenging.
Speaker:And if you're familiar with the deck, you
Speaker:know, I often change cards to this day.
Speaker:Yeah, here and there.
Speaker:Yeah, I would say justice was very difficult.
Speaker:That was one of the last cards I finished
Speaker:because I just could not figure out what I wanted to do with it.
Speaker:And the cloaked figure was actually inspired by.
Speaker:I took a trip to Greenwood Cemetery in New York,
Speaker:and there were a lot of, like, headstones that had kind of like a carved look of, like,
Speaker:this cloth laying over them.
Speaker:And that really inspired the look of that
Speaker:whole card of just kind of this veil and everything being kind of balanced in death,
Speaker:if that makes any sense.
Speaker:Yeah, yeah.
Speaker:So that was something that really came last minute, and that was a very difficult card.
Speaker:I'm thinking back now because it's been several years since I actually did all this
Speaker:artwork, because I think I finished it in 2019 or so.
Speaker:And,
Speaker:yeah,
Speaker:that was one that sticks out as being very difficult for me.
Speaker:There were others that were just that I've tweaked over the years.
Speaker:Lindsay and I always talk about how the devil card in the deck I have a very devil card
Speaker:relationship with because I kind of switch it all the time.
Speaker:And, like, it inspires a lot of, like, second guessing on my part.
Speaker:I'm like, oh, should I, like, do this with it? Should I do that with it?
Speaker:And, like,
Speaker:it's also, like, I feel like one of the cards that gets talked about the most.
Speaker:And I'm also constantly flip flopping it back to.
Speaker:For back and forth between versions.
Speaker:So,
Speaker:yeah, it is very much like a devil experience, and I'm very in my head about that card.
Speaker:So,
Speaker:yeah,
Speaker:it's interesting how they play out like that,
Speaker:I think.
Speaker:Yeah, that is the one I remember specifically
Speaker:being very complicated,
Speaker:but others also were complicated.
Speaker:I remember five of wands was always something
Speaker:that was very difficult for me to figure out.
Speaker:And that one switched from the first edition to the second edition, because I was still
Speaker:just kind of figuring it out, you know?
Speaker:Well, we mentioned Lindsay and her Soul Tarot practice and the way how she teaches tarot,
Speaker:and I. I can see personally quite a lot of influence from that.
Speaker:And especially in some cards, like, for me, that was temperance and 10 of pentacles and
Speaker:the King of Swords.
Speaker:They were kind of.
Speaker:I just thought,
Speaker:wow, that's just fitting very With Soul Tarot interpretation.
Speaker:So I'm just wondering how much of that is kind of your conscious decision to follow.
Speaker:It's all a conscious decision to follow, essentially.
Speaker:Basically,
Speaker:I would say 98, 99% of my tarot knowledge comes from Lindsay.
Speaker:So during the creation, I remember it was very much a time where we would have these long
Speaker:talks about the cards, because all of my learning about the cards came through
Speaker:producing the courses that Lindsay has or.
Speaker:And just kind of like,
Speaker:you know, through a process of filming them, editing them, putting them all together.
Speaker:I was, you know, learning the deck myself in a more intimate way outside of, like, the kind
Speaker:of just, like, casual familiarity I had with it before.
Speaker:So then we would just talk about the cards.
Speaker:And, like,
Speaker:I'm very good at visualizing things.
Speaker:Yeah. So I think we would talk about the general feelings of the cards.
Speaker:And while some of them are more my interpretation of the cards and my
Speaker:interpretation of how they would be visualized,
Speaker:there's definitely a heavy, heavy influence there.
Speaker:So that's a very good deck for people who follow Lindsay's style of reading cards.
Speaker:That would be a really good one.
Speaker:And where the title.
Speaker:Where does it come from?
Speaker:Tarot of the Holy Spectrum.
Speaker:Tarot of the Holy Spectrum was one of the first things I actually came up with with the
Speaker:deck.
Speaker:It was kind of when I was setting the
Speaker:boundaries around the project as far as, like, I would follow these color guidelines when I
Speaker:was making all of the artwork.
Speaker:And that is kind of what inspired the title.
Speaker:The Spectrum is like,
Speaker:you know, the light spectrum, the, like, kind of rainbow look.
Speaker:I know there's been a lot of different interpretations over the years, but that is
Speaker:what I originally was going after was just, like,
Speaker:kind of following the divine light spectrum and where it led me in this project.
Speaker:Right.
Speaker:Yeah.
Speaker:Yeah.
Speaker:Makes sense.
Speaker:Yeah.
Speaker:And which.
Speaker:Do you have a favorite card?
Speaker:I think my favorite card over the years is probably the fool card,
Speaker:just because it felt like I went into that card being like, this has got to be the kind
Speaker:of, like,
Speaker:face of the deck, right? I was like, the fool card is, like, the first
Speaker:card.
Speaker:It's like.
Speaker:It is like,
Speaker:you know,
Speaker:what's the beginning of the journey? Yeah, the beginning of the journey, right?
Speaker:And I was like,
Speaker:I did it about halfway through the creation process.
Speaker:I didn't start with that, but I waited until I kind of had a solid feel for the artistic
Speaker:direction before I did that one.
Speaker:But I kind of felt like I really nailed what I was going for.
Speaker:And there were a couple different iterations of it.
Speaker:Um,
Speaker:but it was all basically the same kind of idea.
Speaker:Um,
Speaker:and,
Speaker:yeah, I think there was one version where I had a bunch of, like, ghost hands, like,
Speaker:trying to pull them back or something, but it, like, just didn't look right.
Speaker:And so, yeah, I felt like after seeing that card and, like, now, definitely after the
Speaker:years that have passed, it's really just kind of, like, always felt like, wow, that is
Speaker:really everything I wanted this deck to be.
Speaker:And, like, it.
Speaker:It's there, you know?
Speaker:Yeah, I. I like this card.
Speaker:I think it's.
Speaker:It's, like, really shows the beginning of, like, really how the journey is gonna look
Speaker:like.
Speaker:And, yeah, it's, like, striking visually as
Speaker:well, so.
Speaker:Sure, a good choice for the beginning.
Speaker:Yeah, it was also a challenge, I think,
Speaker:because throughout the minor or the majors, I set this intention that I was like, it will be
Speaker:the same character throughout all of the cards.
Speaker:And so I made the full card and then was like, okay, now I have to work this character into
Speaker:all of these subsequent cards and see how,
Speaker:like, to kind of, like,
Speaker:embody that journey, you know,
Speaker:aspect of it.
Speaker:And so,
Speaker:yeah, it was just, like, a really fun and challenging and interesting project, you know,
Speaker:to do the majors.
Speaker:As far as I understand.
Speaker:But correct me if I'm wrong,
Speaker:that the concept of calling the Hanged man the Tethered One, it's your own.
Speaker:Like, it wasn't anywhere else before?
Speaker:I don't believe so.
Speaker:I remember coming up with it on a drive I was
Speaker:taking with Lindsay.
Speaker:We were chatting about that card, and it was called the Hanged One in the first edition,
Speaker:and I changed it in the second edition because that was another card I kind of couldn't
Speaker:figure out, and just, like,
Speaker:was a little.
Speaker:There were many different versions of the
Speaker:first edition artwork, and I settled on one that was a little bit kind of generic because
Speaker:I just was a little bit, like, lost on what to do with it.
Speaker:And so I was like, well, I can Revisit it always.
Speaker:You know,
Speaker:I don't view the project as, like, a closed book.
Speaker:So in the second edition, we had been chatting about it and chatting about it and chatting
Speaker:about it and really about hanged one times and, like, being in that time.
Speaker:And I always felt like the hanged one and especially the artwork that's usually you used
Speaker:in that card.
Speaker:It really makes me feel.
Speaker:And this is only me.
Speaker:I'm not saying this is, like how anyone has to
Speaker:interpret it, that you're in a pause period, but when the artwork.
Speaker:In the artwork, when that tether or rope is released,
Speaker:you're gonna fall, right?
Speaker:So, like, you're gonna fall.
Speaker:So, like,
Speaker:in my interpretation, I've always been really into, like, stuff, studying, like, astral
Speaker:projection and stuff.
Speaker:And I was like,
Speaker:to me, it's like, okay, you're this spirit body that's still connected to your.
Speaker:Your body through, like, a tether,
Speaker:but you're waiting.
Speaker:You're kind of like, in this, like, in between
Speaker:period,
Speaker:and you're waiting to ascend versus,
Speaker:like, waiting to fall.
Speaker:Right.
Speaker:And that is like.
Speaker:So you're like a balloon that has helium in it
Speaker:that's, like, tied to a string where when you get released, you're going to, like,
Speaker:you're going to rise versus you're going to fall to the ground.
Speaker:Right.
Speaker:You know, so that was kind of the thinking
Speaker:behind it for me.
Speaker:And that is why I switched the artwork up and
Speaker:kind of.
Speaker:Yeah,
Speaker:did that.
Speaker:I love that I have not seen the first one because I have my.
Speaker:My own deck is the second edition,
Speaker:and the ones I'm selling in the shop are the next ones.
Speaker:So I've never seen the first one.
Speaker:Oh, I have to look.
Speaker:Meet up somewhere and see how it looks.
Speaker:Yeah,
Speaker:I mean, it's.
Speaker:It's very similar to the Rider weight,
Speaker:so the Smith Rider weight.
Speaker:So, yeah, I think it's.
Speaker:It's. It's interesting.
Speaker:But,
Speaker:yeah, I really wanted to sit with it and kind of come up with my own take on it.
Speaker:And that's the one.
Speaker:I'm really happy with the way that turned out.
Speaker:It also,
Speaker:I don't know if you've noticed, it ties into the death card that comes next.
Speaker:If you look at the position of the person's body on the ground,
Speaker:when the death card comes up, they're in the same position.
Speaker:So it kind of implies this continuation.
Speaker:Right.
Speaker:So in the death card,
Speaker:the spirit body has left and is ascended.
Speaker:And I'm not specifically saying that that card
Speaker:has anything to do with astral projection.
Speaker:Or a spirit body, but it's just kind of like a
Speaker:visualization for how that time can be feel, you know?
Speaker:Yeah.
Speaker:Oh, this is why I absolutely love that I'm talking to artists in this podcast, because
Speaker:these are the things like, you know, you just want to hear it from the person who created
Speaker:it.
Speaker:I mean, everyone has their own interpretations, and that's the point of art
Speaker:as well,
Speaker:but just to know what's behind it and just be able to see those things which we may never,
Speaker:may haven't seen.
Speaker:I didn't notice.
Speaker:I'm just having my head now how you look, and I think, yeah, yeah.
Speaker:But I haven't noticed that.
Speaker:Yeah.
Speaker:I'm always interested to talk about the artwork because there is no guidebook in the
Speaker:deck that I do like talking about the artwork, but I also want people to come up with their
Speaker:own interpretations for it.
Speaker:So I'm always interested to hear because sometimes people will write me with their
Speaker:interpretations.
Speaker:And it's always very interesting to see where people go with it and what people notice and,
Speaker:like, how they tie together.
Speaker:Sometimes it's intentional, sometimes it's not.
Speaker:So.
Speaker:But I feel like that's all part of the artistic process, too, is like, you can't
Speaker:determine how people are going to interpret it, you know?
Speaker:So I think that's why I didn't include a guidebook, is because I wanted people to be
Speaker:able to kind of come up with their own meaning,
Speaker:while there also is maybe like, an egoic part of myself where I'm like, I want people to
Speaker:notice all the small things I put in here, you know?
Speaker:Well, yeah, you put them for a reason.
Speaker:Yeah, exactly. But I also.
Speaker:It's like this battle I always go through with
Speaker:myself, you know, of like, do I tell or do I not?
Speaker:You know,
Speaker:so,
Speaker:yeah, it's.
Speaker:There is an aspect where, like,
Speaker:a lot of times, if people have questions, I'll.
Speaker:I'll answer them specifically about the artwork.
Speaker:But it hasn't been a thing where I'm like,
Speaker:writing a guidebook and I'm like, this is the way it's interpreted.
Speaker:This is like, what's going.
Speaker:You know, the official interpretation.
Speaker:You know, it's kind of up to.
Speaker:Up to the reader.
Speaker:Yeah. And I think I was.
Speaker:I was just.
Speaker:I'm thinking now when you're talking, whether this means that it is a good deck for
Speaker:beginners or not really,
Speaker:because, like, I. The feedback I'm sometimes getting in the shop, because there are some
Speaker:decks which also don't have guidebooks or they have guidebooks.
Speaker:But in PDF and people sometimes didn't get it, that they need to download it or something.
Speaker:And then they write to me that, oh, there is no guidebook and I'm just a beginner.
Speaker:But I think personally I'm a beginner, I'm a complete beginner and I think I prefer to.
Speaker:Actually, I do want interpretations, but I'd rather look for the more like for a book like
Speaker:Rachel Pollock's book or like Lindsay's interpretation.
Speaker:Just that much broader thinking about it than a booklet, which is like, you know, five
Speaker:sentences because you can't fit anymore in that.
Speaker:So that becomes very, very rigid.
Speaker:And it's not only what this person, the
Speaker:creator, wants to say, but also in general, even if it's like writing only the most known
Speaker:interpretation,
Speaker:it's still like really, really narrow and descriptive.
Speaker:Then.
Speaker:Yeah,
Speaker:yeah.
Speaker:Um,
Speaker:and Lindsay does have a book coming out next year that would be a great kind of like, guide
Speaker:companion for it.
Speaker:Um,
Speaker:so I think it's kind of like the information is out there, if you're really seeking that.
Speaker:But also I. You're fully empowered to interpret it in any way you want to, you know.
Speaker:Yeah, sure.
Speaker:And it's like you mentioned, it had,
Speaker:has had several iterations for the last five or six years or so.
Speaker:Do you plan anymore? Are you going to scale back to the original
Speaker:black one or.
Speaker:Well,
Speaker:I would say I currently have some special editions that came up for the fifth
Speaker:anniversary.
Speaker:The cards are all the same as the original black edition in them, but they are in like,
Speaker:neon boxes because I've always wanted to try that and I would love to expand on that more.
Speaker:It's just kind of whether the market's there or not, because I don't have a lot of money to
Speaker:experiment with stuff.
Speaker:But so,
Speaker:yeah, the black edition will always be there.
Speaker:I, I, I feel like that is my, like, Coca Cola
Speaker:classic, if that makes any sense.
Speaker:It's like that's not going to go anywhere.
Speaker:But it is.
Speaker:Currently it goes through phases because I'm
Speaker:just an independent publisher where it's sells out for a little while and then we'll come
Speaker:back in stock when I do another round of printing.
Speaker:And I, I'm pretty happy with the current edition and I may do like, a little tweaks in
Speaker:the next printing, but it's pretty solid.
Speaker:I do plan on there's another sister edition
Speaker:that's like the Infinity edition is what it's called,
Speaker:and that one's fully like silver mirrored or like holographic at this point.
Speaker:But those Are more, like,
Speaker:poppy colors.
Speaker:And I kind of allowed myself to, like.
Speaker:I was like, what if I, like, loosened the color restrictions I have on this deck and,
Speaker:like, really, like, went all out?
Speaker:I do have plans.
Speaker:These are super tentative and, like, I don't have a timeline on it, but I do have plans to
Speaker:really go through that edition and, like, do what I just did for the third edition for that
Speaker:edition,
Speaker:where it's like every single color is rethought and every single thing is,
Speaker:like,
Speaker:kind of updated, cleaned,
Speaker:whatever.
Speaker:So I'm considering doing that, at least at this stage.
Speaker:I just finished a completely different.
Speaker:This is a totally different conversation, but I finished the artwork for a completely new
Speaker:deck that's coming out, like, two days ago, but that's still pretty early in the
Speaker:production process.
Speaker:So that's not even been like, announced really anywhere.
Speaker:But is it yours or is it for someone else?
Speaker:Like, it is mine.
Speaker:It's like a totally different thing
Speaker:completely.
Speaker:But I think we'll be interesting, you know, so
Speaker:we'll see.
Speaker:It's a totally different art style and
Speaker:everything, so.
Speaker:Yeah. But it's been a fun project to work on,
Speaker:and that's what I've been working on this past year.
Speaker:I just wanted to ask you one more thing, which is do you use tarot in your daily life?
Speaker:Yes, actually,
Speaker:I probably need to use it as a more regular practice,
Speaker:but we have a three and a half year old, and so everything's chaos all the time.
Speaker:So, like.
Speaker:But yes, I think around questions where we're feeling a little lost.
Speaker:That's always the first thing our family reaches for.
Speaker:And, like,
Speaker:I know for myself when I'm,
Speaker:you know, just kind of, like,
Speaker:going through a period of time where I'm not really sure what direction to take or, like, I
Speaker:have questions about things.
Speaker:It's a very good way to tune in about to gain
Speaker:kind of some clarity around, like,
Speaker:what am I wanting to do?
Speaker:What path should I take? And that's really where I use it the most,
Speaker:is kind of around questions where I'm really feeling, like, a bit lost.
Speaker:Yeah.
Speaker:Thank you very much.
Speaker:Of course.
Speaker:Thank you all for your stories and insights.
Speaker:And I'm sure that everyone who listens now
Speaker:feels more of connection with this deck.
Speaker:So thank you very much.
Speaker:Of course.
Speaker:Thank you so much for having me.
Speaker:And thank you so much for supporting the deck always.
Speaker:Thank you.
Speaker:I love it.
Speaker:I absolutely love it.
Speaker:It was my second deck I ever bought.
Speaker:First one was from the.
Speaker:The British.
Speaker:British artist.
Speaker:And then.
Speaker:And then I bought that one and, yeah, and then just, you know, and my obsession with
Speaker:collecting, like, started.
Speaker:So you were you.
Speaker:It's your fault that I have now.
Speaker:Yeah, I just blame it on all this few people with whom I started, you know, oh, I want this
Speaker:one and I want this one.
Speaker:It's like, oh, maybe I hold shop.
Speaker:That's fantastic.
Speaker:Thank you.
Speaker:Yeah, thank you so much.
Speaker:So if,
Speaker:prior to listening to this episode,
Speaker:you were already familiar with Chase and their work and also their deck, Tarot of the Holy
Speaker:spectrum in any of its incarnations,
Speaker:then I hope now you feel more connected and you have more understanding of how this deck
Speaker:came about and what it means to the author and you got some more inspiration.
Speaker:And if you have not known this deck, if you haven't seen it before,
Speaker:I do recommend following the links in the show notes to see the deck, to see the pictures on
Speaker:the blog post,
Speaker:to see Chase's website and to visit also my shop, Las Vistas.
Speaker:If you are in the UK especially,
Speaker:then you can find this deck there,
Speaker:both in this classic edition and also in the infinity edition.
Speaker:But if you got interested in those super colorful,
Speaker:how to say it,
Speaker:Limited editions.
Speaker:That's the word.
Speaker:Then these are only available from Chase directly.
Speaker:So, yeah, this is it for today and next time.
Speaker:In the next episode, we will have a guest from
Speaker:England from a little town called Ely in Cambridgeshire,
Speaker:and we'll be talking about events, about community events,
Speaker:about communities in general, gathering around Tarot and anything magic adjacent.
Speaker:And we will be talking about an upcoming event where I also will be exhibiting with my shop.
Speaker:So if you are somewhere around Cambridgeshire at the end of November,
Speaker:come and say hello.
Speaker:But that will be in the next episode,
Speaker:so stay magical for now.
Speaker:Sa.
